Art(ifice) Imitates Life
Wired has a fun survey of the use of biological properties as models for software and hardware engineering. The complexity underlying the living world, as it turns out, can be applied in useful ways to computer problems which would otherwise be challenging -- or even impossible -- to resolve using more traditional methods. The survey touches on evolvable hardware, genetic algorithms, immune systems for operating systems, and more. None of the topics are new for those of us who have been following the field of biological approaches to computing, but it's a good scan of the current state of the discipline, and an excellent introduction to the concept:
EMERGENCE describes the way unpredictable patterns arise from innumerable interactions between independent parts. An organism's behavior, for instance, is driven by the interplay of its cells. Similarly, weather develops from the mixing of oxygen, carbon dioxide, water, and other molecules.SELF-ORGANIZATION is a basic emergent behavior. Plants and animals assemble and regulate themselves independent of any hierarchy for planning or management. Digital simulations made up of numerous software agents have demonstrated self-organization in systems ranging from computer networks to tornadoes.
REPRODUCTION was considered strictly the purview of organisms until recently. Now computer programs procreate, too. Genetic algorithms mimic biology's capacity for innovation through genetic recombination and replication, shuffling 1s and 0s the way nature does DNA's Gs, Ts, As, and Cs, then reproducing the best code for further recombination. This technique has been used to evolve everything from factory schedules to jet engines.
COEVOLUTION inevitably accompanies evolution. When an organism evolves in response to environmental change, it puts new pressures on that environment, which likewise evolves, prompting further evolution in the organism. This cycle occurs in many social systems - for instance, the interaction between behavioral norms and legal codes.
(Via Femtopizza)


A couple of years ago, I got to spend a few months owning/operating an AIBO, one of those Sony robotic dogs. It was a surreal experience -- it behaved just enough like a real dog to make me feel odd whenever I treated it like an electronic toy. As a substitute companion it wasn't all that compelling (at least for me), but as a demonstration of how sophisticated independent robotics has become, it was fascinating.
And speaking of the Bay Area Future Salon, Alex and I will be the guest speakers at
If you've read Neal Stephenson's brilliant novel The Diamond Age, you will certainly remember his description of "toner wars" -- clouds of carbon-based nanoparticles fighting it out as tools of economic or political dominance. Breathing in the microscopic machines wasn't good for you, but that was related to the various nasty things that the overly-aggressive nanoassemblers might do once in your system. In reality, the danger from such a threat would may have more to do simply with how small they are.
When Rich Gold died last year, the world lost a brilliant mind. I had the pleasure of meeting him in 2000; he possessed the remarkable ability to come up with ideas which were simultaneously meaningful and memorable. He gave great talks, often accompanied by hand-drawn presentations. Andrew Zolli at Z+Blog
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In a bit of serendipity, several items about the future of power generation popped up on my radar recently. They nicely demonstrate alternative sources of electricity now, in the near future, and a bit down the road. Quick synopsis: the days of massive generators like the one shown to the right are numbered.
When I was in London earlier this month, I visited the British Museum. The pieces of ancient civilization and the various plunderings of empire were interesting, but what I really wanted to see was the Rosetta Stone (that's my picture of it at right). The Rosetta Stone, found by Napoleon's troops in Egypt in 1799 and transferred to British control in 1802 as a spoil of war, was a largish piece of basalt covered with an official pronouncement about Pharaoh Ptolemy, written in ancient Greek, demotic, and ancient Egyptian hieroglyphics. That dark gray slab embodies a fascinating mix of anthropology, archaeology, and cryptography. Prior to the discovery of the Rosetta Stone, hieroglyphics were considered indecipherable pictograms; after the Rosetta Stone, hieroglyphics were a window into the workings of ancient Egypt. It's entirely possible that, had the Rosetta Stone never been found, the meaning of hieroglyphics would have been lost forever. (Simon Singh's fascinating text on cryptography, The Code Book, has a good chapter on how the Stone led to figuring out hieroglyphics.)
The disk is physically etched with words in 1,000 languages, requiring a high-power optical microscope to read. This is a more survivable format than digital media; there's no risk that the particular reader technology will be lost to obsolescence or market whims. The disk contains
Starting from the premise that "lots of copies keeps stuff safe," the disk will be mass-produced and globally distributed. Actually, very shortly it will be extraterrestrially distributed, as well. A copy of the Rosetta Project disk has been fitted to the ESA's 